Concertos - 290 - Page 2 - Mega Sale! Save up to 29%

mpn: LSO0609, ean: 0822231160922,

The Variations on an Original Theme, or 'Enigma' as it is commonly known, brought Elgar overnight fame when it appeared in 1899. The music is glorious from start to finish, especially in the serene Nimrod. Each variation is given a cryptic title referring to one of Elgar's friends although the overall enigma behind the original theme has never been deciphered..

ean: 0822231107828,

Beethoven was rarely explicit about any meaning behind his works. However it is impossible to listen to his Seventh Symphony without being captivated by a sense of euphoria, tainted only by what is possibly the most profound slow movement he was to write. Where the symphony is bold in its exuberance, the Triple Concerto is playful, providing its soloists with a glorious opportunity to flaunt their skills..

ean: 0061297802012,

On CD for the first time! The fourteenth volume of DOREMI s Legendary Treasures series features David Oistrakh in rare live performances and recordings..

ean: 5024709156252,

Rachmaninov : Concerto piano n°2 op.18, Polka de WR - Scarlatti : Sonate Kk.113 - Chopin: Scherzo n°3 op.39, Impromptu n°1 op.29, Valse n°5 op.42, Etude n°8 op.10 - Liszt : La legierezza, Ronde des lutins - Scriabine : Etude, op. 8/12 - Interview / Simon Barere, piano.

ean: 0089948121923,

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ean: 0017685109522,

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ean: 0798167857925,

Mozart: Violin Concerto in A Major, K. 219 (''''Turkish''''); Sibelius: Violin Concerto in D Minor, Op. 47; various shorter works..

mpn: 1, ean: 0028947211921,

Robert Schumann's dense yet soaring keyboard textures, obsessive rhythmic repetitions, and restless polyphonic mind inspire András Schiff's poetic virtuosity to rarefied heights of music making in the Humoreske, the eight Novelletten, and the Sonata No. 3 (better known as the Concerto Without Orchestra). In the Sonata's outer movements, Schiff unleashes power with canny expressive economy, while the variations in the Andantino lusciously unfold. The Humoreske is riper and more complexly

ean: 0853376000323,

A rare collection of four live performances recorded around the world, this unique disc spans horn player John Cerminaro's career over the past five decades. Widely acknowledged as one of the greatest horn players of our time, Cerminaro is currently Principal Horn with the Seattle Symphony, a post he has held since 1995..

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ean: 0089948446798,

Emil Gilels performs with the State Academic Orchestra of the Soviet Union conducted by Vyacheslav Ovchinikov in 1979 and with the State Orchestra of Moscow Symphony in 1983. Elena Gilels also performs on piano in the Concerto for Two Pianos in E-flat, No.

mpn: 028947789086, ean: 0028947789086,

The maturity and wisdom harvested from a lifetime of making music on the highest levels ennobles Maestro Abbado's leadership. The sublime simplicity of their performance of the Brandenburg Concertos illuminates the complexities of Bach's incomparable demonstration of the unity of Logic and Love. Harpsichordist Ottavio Dantone, recorder virtuosa Michala Petri, trumpeter Reinhold Friedrich, supreme Baroque violinist, Giuliano Carmignola and the others demonstrate the mastery that makes them among

mpn: LSO043, ean: 0822231104322,

After struggling to complete his first symphony, Brahms composed his Symphony No 2 with ease and the work overflows with a relaxed, pastoral beauty. His Double Concerto is laced with a fiery gypsy passion and pitches violin and cello against orchestra. This release is Bernard Haitink's first on the LSO Live label and marks the start of a complete Brahms Symphony cycle, music in which Haitink excels. Gordan Nikolitch and Tim Hugh, the LSO's Leader and Principal Cellist respectively and

ean: 0052951800529,

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ean: 0798167917926,

Ravel: Tzigane; Bach: Air on a G String; MOZART: Concerto No. 4, KV 218, in D Major; Grieg: Allegretto espressivo alla Romanza from the Sonata in C minor, Op. 45; Dinicu-Heifetz: Hora taccato;Rimsky-Korsakov: Flight of the Bumble-Bee; More.

ean: 0685738204328,

Olivier Messiaen Turangalila - Symphonie version revisee 1990; 1. Introduction; 2. Chant d'amour; 3. Turangalila 1; 4. Chant d'amour 2; 5. Joie du sang des etoiles; 6. Jardin du sommeil d'amour; 7. Turangalila 2; 8. Developpement de l'amour; 9. Turangalila 3; 10 Final This symphony, commissioned by Serge Koussevitzky and written between 1946 and 1948, is surely one of the 20th century's most gigantic works. It's cast in 10 movements, and its grandeur of scope and concept, variety and sheer mass

mpn: 724355696229, ean: 0724355696229,

Used CD.

mpn: LSO0578, ean: 0822231157823,

Beethoven was rarely explicit about any meaning behind his works. However it is impossible to listen to his Seventh Symphony without being captivated by a sense of euphoria, tainted only by what is possibly the most profound slow movement he was to write. Where the symphony is bold in its exuberance, the Triple Concerto is playful, providing its soloists with a glorious opportunity to flaunt their skills. Bernard Haitink is not usually thought of as an eminent Beethoven conductor, but this 7th

ean: 0053479017222,

Ivan Moravec, Piano With the Dallas Symphony Orchestra Eduardo Mata, Conductor Robert Schumann Concerto for Piano and Orchestra in A Minor, OP. 54 Johannes Brahms Concerto no. 1 for Piano and Orchestra in D Minor, OP. 15 Dorian Recordings Ivan Moravec has made gorgeous studio recordings of both of these concertos. He sounds more adventurous in front of a live audience in the Schumann; taking more chances with rubato and pushing the music toward even more intense expression. It's not ideal

mpn: 028947128922, ean: 0028947128922,

No Description Available.Genre: Classical MusicMedia Format: Compact DiskRating: Release Date: 8-OCT-2002.

mpn: 1810100, ean: 0724355756220,

CD Many great pianists have already recorded this now-traditional coupling. Having proven himself to belong in the company of the greats, Andsnes now gets his chance. He has a decided viewpoint on this music, stressing the lyrical elements with some gorgeous tone and phrasing, yet capturing plenty of drive and excitement when required. Jansons seems to challenge his soloist with very energetic readings of the orchestral parts: lots of tympani and broad dynamic contrasts. The collaboration works